Social Media Work
Social media, web, and advertising work for clients, friends, and myself
Chunks Graphics
2026
Client: Chunks
Creative Director: Tiffany Ju, Lupe Wright
Design Support: Merize
Client: Chunks
Creative Director: Tiffany Ju, Lupe Wright
Design Support: Merize
Creator Mag Maya Higa Carousels
2025
Publisher: Nathan Graber-Lipperman
Art Director: Moy Zhong
Creative Director: Shua Buhangin
Publisher: Nathan Graber-Lipperman
Art Director: Moy Zhong
Creative Director: Shua Buhangin
Tomboy Seattle Photography
2025-2026
Additional Videography: Cindy Wan
Additional Photography: Kai Ford
Additional Videography: Cindy Wan
Additional Photography: Kai Ford
Creator Mag Promotions
2025
Publisher: Nathan Graber-Lipperman
Art Director: Moy Zhong
Creative Director: Shua Buhangin
Publisher: Nathan Graber-Lipperman
Art Director: Moy Zhong
Creative Director: Shua Buhangin
We started posting daily for a Subathon promoting our Substack newsletter. We’re seeing a jump in growth after sharing more about the team and work that goes into our magazine.
Promotions for paid and free community events; gathered groups of 60-100+ people in the Chicago area
We got hundreds of submissions for our past two issues after promotions.
Personal Fun
Snippets and experiments from documenting my own life in Instagram posts, YouTube videos, and more.
2023 –
CHUNKS X NPR (Video Interviews)
The collaboration between hair claw company CHUNKS and NPR is what we called “unexpected”—what do we have to do with each other?
Stories. Our intention with this campaign was to connect NPR’s audio storytelling with CHUNKS’ quirky visual style. The videos interviewed the faces of the campaign, which included show hosts (Yowei, Emma), their family (Emma’s mom), and people behind the scenes (Wanyu and me!) and how they feel connected to their hair.
Although, of course, we promoted the claw alongside a miniature version of the Tiny Desk, too. A small accessory for a little desk.
Stories. Our intention with this campaign was to connect NPR’s audio storytelling with CHUNKS’ quirky visual style. The videos interviewed the faces of the campaign, which included show hosts (Yowei, Emma), their family (Emma’s mom), and people behind the scenes (Wanyu and me!) and how they feel connected to their hair.
Although, of course, we promoted the claw alongside a miniature version of the Tiny Desk, too. A small accessory for a little desk.
2023
Clients: National Public Radio, CHUNKS
AD: Guadalupe Wright, Tiffany Ju
Copywriting: Mina Tavakoli
Graphic Design: Roho Yniguez
Video Production: Moy Zhong, Tasha Diaz
Video Editing:
Models: Emma Choi, Julie Choi, Yowei Shaw, Wanyu Zhang, Moy Zhong
Clients: National Public Radio, CHUNKS
AD: Guadalupe Wright, Tiffany Ju
Copywriting: Mina Tavakoli
Graphic Design: Roho Yniguez
Video Production: Moy Zhong, Tasha Diaz
Video Editing:
Models: Emma Choi, Julie Choi, Yowei Shaw, Wanyu Zhang, Moy Zhong
☎️ Twenty-Five Calls for 2025 (2025)
From Creator Mag, Issue Five2025
Publisher: Nathan Graber-Lipperman
Art Director: Moy Zhong
Creative Director: Shua Buhangin
Contributors: Cris Campos
We called 25 creators and asked them (1) “What was your greatest creative win of 2025?” and (2) “What’s the biggest learning you’re bringing into 2025?” These are their answers — packaged on our socials, on our blog, and in video, and in print.
Keeping the designs standardized across platforms, cohesive in visuals, and exciting for returning audiences regardless if where they read the story was the biggest challenge. On top of that, each creator was busy in their own right and live across the US — a pretty photoshoot was not an option.
You’ll see our solutions below. I used B/W photography to standardize the quality of photos I sourced from our creator roster from scouring their content. I found a blocky digital font reminiscent of the type you’d find on a Nokia. And because we caught up over the phone, visually, our videos were text and sound-forward, too.
Keeping the designs standardized across platforms, cohesive in visuals, and exciting for returning audiences regardless if where they read the story was the biggest challenge. On top of that, each creator was busy in their own right and live across the US — a pretty photoshoot was not an option.
You’ll see our solutions below. I used B/W photography to standardize the quality of photos I sourced from our creator roster from scouring their content. I found a blocky digital font reminiscent of the type you’d find on a Nokia. And because we caught up over the phone, visually, our videos were text and sound-forward, too.
The story in print
Compilation video
At the end of our series, we combined quotes from all of the videos into a story for YouTube.
NPR Podcasts (@nprpodcasts)
2023AD: Wanyu Zhang
My favorite detail: hiding seven Oscars trophies in the opening graphic for the seven statues the movie won.